Paul Daviaud

The work of Paul Daviaud (1910–2001) developed within the context of the renewal of pictorial language that marked the French art scene in the post-war period. Trained in drawing and engraving in Parisian academic institutions, winner of the Grand Prix de Rome in 1944, he turned from the late 1940s towards an abstract practice, notably participating in the first exhibitions of the Salon des Réalités Nouvelles.

 

His career can be compared to the dynamics associated with the Second School of Paris, while also presenting certain distinctive features. From the 1970s onwards, he gradually withdrew from institutional and commercial circuits, continuing his work within the framework of his studio.

 

This development contributes to a limited dissemination of his work, despite a significant output — more than 1,800 works identified to date — and participation in exhibitions in the 1950s.

 

His painting demonstrates a structured approach to the relationships between form, gesture, and matter. Mass relationships, rhythms, and chromatic variations are recurring elements in his compositions.

A process of inventory and documentation is currently underway, with a view to creating a comprehensive catalogue to structure and study all of his production.